Press

• Recommended – nytheatre.com: Bird Machine charts a tale of visual splendor…It is industriously artful, and a helluva lot of fun to watch…. I am looking forward to seeing what comes next from Concrete Temple Theatre.   – Montserrat Mendez, nytheatre.com

• This is an intense, poetic reaction to Melville’s novel, created using a heightened theatricality and a set that would look at home in a gallery.  – Diane Dubois, The Scotsman, UK

• Adinolfi transforms a tiny stage into both the sea-locked world of the Pequod’s decks and the vast, unfathomable sea itself.  – Rebecca Mead, The New Yorker

• Even without fairy dust scattered over our hero Alberto, there’s a warmth & magic about Alberto’s Great Escape.  – Lynne Walker, The Independent, UK

• Bird Machine dazzles with a parade of toys and illusions….it’s so ambitious, and so immersive…its allegory about technology, power, and art succeeds. – Ben Beitler, Village Voice

Online Articles & Reviews